Edited volume
Wilcox, Emily, and Soo Ryon Yoon, eds.
Inter-Asia in Motion: Dance as Method. London; New Delhi: Routledge (2023). Table of Contents
Reviews:
“…this groundbreaking anthology sheds light on contemporary hybridity and contemporization that is occurring alongside the reimagining of traditional dance forms through inter- and intra-regional collaborations and exposure.” — Stephanie Burridge, Dance Chronicle
Co-edited special issue
Wilcox, Emily, and Soo Ryon Yoon, eds.
“Inter-Asia in Motion: Dance as Method.” Special issue, Inter-Asia Cultural Studies 23, no. 4 (December 2022).
Peer-reviewed articles
“Alvin Ailey and Korean Dance: Writing Afro-Asian Relations into Korean Dance History.” Dance Chronicle 47, no. 3 (forthcoming 2024). Online first https://www.tandfonline.com/doi/full/10.1080/01472526.2024.2376961?src=exp-la
“Artists or Slave Laborers? Performing Uncapturability in Burkinabe Performers’ Labor Rights Struggle in South Korea.” positions: asia critique 28, no. 2 (2020): 311-39. PDF
Black, Taylor C., Shawn Chua, Eero Laine, Milton Lim, Rumen Rachev, and Soo Ryon Yoon. “ElastiCity: Performance Studies and Theme Parks.” Global Performance Studies 4, no. 1 (2021) Online
“‘Gangnam Style’ in Dhaka and Inter-Asian Refraction.” Inter-Asia Cultural Studies 19, no. 2 (2018): 162-79. PDF
“Theatrics between Life and Death: Performing the urban history of Garibong-dong, Seoul in Camp or the Place that Became a Lion by Miwansung Project and OLTA.” Performance Research 24, no. 4 (2019): 118-24. PDF
“Choreographing Affinities and Differences: Notes on Korea-Africa Relations in Transnational Dance Collaboration.” Journal of Contemporary Research in Dance (当代舞蹈艺术研究) 2, no. 4 (2017): 18-29. Table of contents
Chapters in edited volumes
“Unsettling Queer Feminist Methods and Methodologies: Conversation with siren eun young jung.” in The Routledge Companion to Feminist Performance, edited by Nobuko Anan, Charlotte Canning, and Asiedu Awo Mana. New York: Routledge (in progress).
“Dance and Activism against Sexual Violence in Contemporary South Korea.” in The Oxford Handbook of East Asian Gender History, edited by Barbara Molony, Hyaeweol Choi, and Janet Theiss. New York: Oxford University Press (in progress).
Ruthie Abeliovich, Leo Cabranes-Grant, and Soo Ryon Yoon. “Complexity” In The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies, edited by Tracy Davis and Paul Rae, 284-99. New York: Cambridge University Press, 2024.
Yoon, Soo Ryon and Kayla Yuh. “Racing the Real: Realism and Racial Representation in 20th Century Korean Theatre.” In Realisms in East Asian Performance, edited by Jessica Nakamura and Katherine Saltzman-Li, 56-78. Ann Arbor: University of Michigan Press, 2023. More on the book / Order
“Fans, Sashes, and Jesus: Evangelical Activism and Anti-LGBT Performance in South Korea.” In Corporeal Politics: Dancing East Asia, edited by Emily Wilcox and Katherine Mezur, 284-300. Ann Arbor: University of Michigan Press, 2020. PDF
“Refusing Obliquely in siren eun young jung’s Yeoseong Gukgeuk Project.” In History Has Failed Us, But No Matter: The Korean Pavilion – 58th International Art Exhibition, La Biennale Di Venezia, edited by Hyunjin Kim. Milano: Mousse Publishing, 2019. Catalogue descriptions
“Queer Performance of Refusal and Circumventing in siren eun young jung’s Yeonseong Gukgeuk Project.” In 10-Year Path of Korea Artist Prize, edited by Park Joowon, 177–8. Seoul: National Museum of Modern and Contemporary Art, 2023. Online (Korean)
Yeong Ran Kim and Soo Ryon Yoon. “Innovation against Innovation: Korean Queer Artists and Institutional Technologies of Representation.” In Women’s Innovations in Theatre, Dance, and Performance series, Volume 1: Performers, edited by Colleen Kim Daniher and Marlis Young. London: Bloomsbury Publishing (in progress).
Soo Ryon Yoon, Okju Son, and Hyeongbin Cho. “Decolonizing Dance Dramaturgy in Korea.” In Decolonizing Dramaturgy in a Global Context, edited by Magda Romanska, Taiwo Afolabi, Marjan Moosavi, Kee-Yoon Nahm and Jimmy A. Noriega. London: Bloomsbury Publishing (in progress).
Critical essays and reviews
“An Ode to Unrequited Love, 30 Years Later: Wong Kar-wai’s Chungking Express.” Cha: An Asian Literary Journal, March 29, 2024. Online
“저항 번아웃을 대하는 자세: 저항의 각자” 연극in, September 7, 2023. Online (Korean)
“연극의 저항, 저항의 연극성: 저항의 각자” 연극in, August 24, 2023. Online (Korean)
“‘건강’ 개념의 외연을 확장하는 연극: 우리는 어떻게 건강할 수 있을까 Part II” 연극in, April 2023. Online (Korean)
“[리뷰] 인종주의•제국주의 통치체제의 그물에서 재생산 정치를 고민하기: 연극 <리드리스>” 성적권리와 재생산정의를 위한 센터 셰어, March 2023. Online (Korean)
“Kim Jaeduk’s Brown, Anti-Essentialism, and Contemporary Intercultural Dance.” City Contemporary Dance Company, December 2022. Online
“분쟁을 두려워하는 무용계에서 ‘제도를 안무’한다는 것: 홍콩 안무가 조셉 리와의 대화” 춤:인 Choom: In, October 2022. Online (Korean)
“거대한 파도 속, 일상의 결집 감각하기: 홍콩 CCDC 멜리사 렁 인터뷰” 춤:인 Choom: In, August 2022. Online (Korean)
“Death and the City: Meta-Reading CCDC’s María de Buenos Aires between the 1960s’ Buenos Aires and Present-Day Hong Kong.” International Association of Theatre Critics Hong Kong, June 2022. Online
“Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN Dance.” Theatre Times, November 26, 2023. Online
Joanna Mansbridge and Soo Ryon Yoon. “100% Hong Kong by Rimini Protokoll (review).” Theatre Journal 74, no. 2 (2022): 229-31. PDF
“Book review of Revolutionary Bodies: Chinese Dance and the Socialist Legacy by Emily Wilcox.” Theatre Research International 46, no. 2 (2021): 255-6. Online
“Book review of Originless Fantasy: Reading Modern and Contemporary Korean Cultural History from Feminist Perspectives (<원본 없는 판타지: 페미니스트 시각으로 읽는 한국 현대문화사>).” Seoul Journal of Korean Studies 33, no. 2 (2020): 581-4. Online
“Book review of Elizabeth Son’s Embodied Reckonings.” Theatre Survey 61, no. 2 (2020): 286-8. PDF
“Mapping the Stage Differently: Theatre Me Too Movement and Internet Culture in South Korea.” GenderIT.org: Feminist Reflection on Internet Policies, October 2019. Online
“Looking Back and Looking Forward in Dêgèsbé.” GPS: Global Performance Studies 2, no. 2 (2019): n.p. Online
“서평: 에밀리 윌콕스 저, <혁명적 몸들: 사회주의 유산과 중국무용>” 무용역사기록학 Journal of Society for Dance Documentation and History 53 (2019): 303-9. Online (Korean)
“난민의 시간, 자국민의 시간” (“Refugee Time, National Time”). 경계없는 페미니즘 (Feminism without Borders), 김선혜 외, 2018. Book descriptions (Korean)
“몇 가지 ‘슬로 모션’ 장면에 대한 노트: 홍콩, 안무, 그리고 말하기” 춤:인 Choom: In, October 2018. Online (Korean)
Performance review of Clean Labour by Brendan Fernandes. ASAP/J, March 2018. Online
Performance review of God Bless Baseball by Toshiki Okada. Theatre Journal 68, no. 3 (2016): 453-4. Online